Shakespeare Tragedy, Comedy and Historical Play
DOI:
https://doi.org/10.59573/emsj.8(2).2024.10Keywords:
tragedy, comedy, historical plays, Shakespeare, Elizabethan periodAbstract
This particular research paper sheds light on common recognizable characteristics of Shakespeare tragedy, comedy and historical play. Shakespeare, the dramatist of all time, brought tragedy and comedy developed by classic Greek dramatists: Aeschylus, Sophocles, Euripides and Aristophanes to a new level in the Elizabeth period. Within his theatre life which expands for 22 years, he produced ten tragedies, seventeen comedies and ten historic plays, which are staged with diverse modification all over the world, being translated to almost all the languages that are spoken in very nook and corner in the world. Shakespeare whom quoted next to the Bible is undoubtedly a social reality; his tragedy, comedy and historical plays have become the most timeless and placeless plays which touch the hearts of the audiences irrespective of social political and geographical differences. His tragedy showcases the downfall of the hero/heroine of high socio standing due to a tragic flaw, which finally causes the death of the protagonist either by being killed or committing suicide. His comedy is much more different from one another, although almost all of then end in poetic justice. His historical plays are based on the English history from 12th century to 16th century (from 1399 to 1485) and actual kings who ruled Great Britain in the particular period. However, Shakespeare added more dramatic effects into these historical plays constantly reminding the fact that he is not a historian yet a dramatist.
References
Berry, R. (1972). Shakespeare’s Comedies, Explorations in Form. Princeton: Princeton University Press, New Jersey, USA.
Bethell, S.L. (1944). Shakespeare and the popular Drama Tradition. London: King and Staples, U.K.
Bradley, A.C. (2007). Shakespearean Tragedy (Introduction to the 4th ed.). Palgrave Macmillan, New York, USA.
Coles Editorial Board. (2017). Shakespeare A Midsummer Night’s Dream. Chaman Enterprises, Pataudi House, New Delhi, India.
Gunasena, P. (2015). Basic Concepts in Education and Literature. Colombo: Cybergate.
Peck, J. & Coyle, M. (2000). A Brief History of English Literature. New York, Palgrave.
Penguin Classics. (1996). William Shakespeare Four Comedies. Penguin Books, London, England.
Swarnanada, K.G. (2019). Introduction to A Midsummer Night’s Dream. Olanco Printers, Colombo, Sri Lanka.
Swarnananda, K.G. (2020). The Indispensable Literary Terms & Techniques (2nd ed.). Colombo: Olanko Printers.
Swarnananda, K.G. (2021). Is Othello suffering from Othello syndrome?-An exposition the Tragic Flaw of 'Othello' by Shakespeare. Available from: https://www.researchgate. net/publication/344862468_Is_Othello_suffering_from_Othello_syndrome-An_exposition the Tragic Flaw of 'Othello' by Shakespeare [accessed Sep 07 2021].
Swarnananda, K.G. (2020). The Dramatist of All Time. https://www.academia.edu/44363208/ Shakespeare the Dramatist of All Time.
Tennakoon, W. (2021). “Not Now, Sweet Desdemona" – Re-reading Othello as a Double-edged Tragedy of Both the Colonizer and the Colonized. Global Scientific Journal, 9(5).
Downloads
Published
Issue
Section
License

This work is licensed under a Creative Commons Attribution 4.0 International License.
Terms and conditions of Creative Commons Attribution 4.0 International License apply to all published manuscripts. This Journal is licensed under a Creative Commons Attribution 4.0 International License. This licence allows authors to use all articles, data sets, graphics and appendices in data mining applications, search engines, web sites, blogs and other platforms by providing appropriate reference. The journal allows the author(s) to hold the copyright without restrictions and will retain publishing rights without restrictions.
A competing interest exists when professional judgment concerning the validity of research is influenced by a secondary interest, such as financial gain. We require that our authors reveal all possible conflicts of interest in their submitted manuscripts.
The Editor reserves the right to shorten and adjust texts. Significant changes in the text will be agreed with the Authors.
ISSN 


